Louise Erdrich’s Future Home of the Living God is a masterpiece of contemporary American literature. After 16 novels, books of poetry, and memoir, and nominations for the Pulitzer, and winner of the National Book Award, this novel is a culmination of her storytelling, use of language, and imagination.
I’ve read and studied Erdrich’s works for at least 15 years, eagerly awaiting each new novel. Some have exceeded my expectations, others have not but are still excellent reads. But this one, THIS is an achievement — not just for her as a writer and artist — but for our times.
The writing is beautiful and flows with such ease, concise yet vivid description, that reading is seamless. The plot moves with tremendous pace and at times I was so full of suspense that I had to put my hand over the next sentence to keep myself from jumping ahead. As a woman with a daughter and sisters, and nieces, I was drawn to the main character, Cedar, who writes a diary for her unborn child — a record of a time when all that people assumed would never change was upended overnight.
If you are a woman of child-bearing age or a woman concerned about protection of women’s rights, if you are a a man who values women, a person of faith, or a citizen who wishes to understand this age, this time on earth, then you need to read this book. The earth is changing, we are changing.
In the dystopian tale, so prescient for today, she manages to still uplift the reader. She is a weaver of legend, personal destinies, and her own cultural perspective. Louise Erdrich manages to show us there is still hope, still good to be cherished and brought forward in all of us. Yet, Erdrich bravely portrays a potential future that threatens all we hold as good and right in human behavior, and the fate of the earth.
Hildegard of Bingen, Pierre Teilhard de Chardin, Saint Kateri Tekakwitha, scripture from the Bible, and Ojibwe elders all find voice in this story.
Find it at Birchbark Books, Erdrich’s independent book store; Indie Bound, or other online book vendors. Read the New York Times book review.
Susan Feathers 