One of the greatest gifts of my father was that of a B flat clarinet when I was in third grade. Perhaps this is why I’ve remained partial to woodwinds in orchestral arrangements. When I was a young teen, I played this concerto in a competition in New York State while living in Plattsburg. This clarinetist, Sharon Kam, plays Mozart’s work for clarinet with tonal shades and a lively spirit that brings the work to life. Here is her performance of one of the maestro’s works indelibly etched in my right brain from a year of practice. And for those of you who remember the theme from Out of Africa, listen for it here.
DREAM ACRES FARM
Holding-Out and Holding-On in America’s Heartland
Golden meadow grasses wave in the afternoon breeze along a far bank of dark green pine and hardwoods aflame in fall colors. The trees form the meadow’s northern border. Lover’s Lane, Old Towne Apartments, and Interstate 65 serve as other borders to Dream Acres Farm—a sliver of Kentucky farmland and noble hold-out against development.
The white picket fencing, farmer’s house, and rolling green lawn that face Lover’s Lane were built when this land near Bowling Green was “the country”. I imagine teenagers romanced in a car along a moonlit dirt shoulder, and that dense forests still grew to the horizon. The farm’s 15 acres are worth millions now that the town has grown up around it. Everyday another few acres of Lover’s Land churn under the blade in becoming hotel, medical center, nursing home…
Every day I thank the farmer for holding fast to his farm amidst the pressure of land sales. He tends a dozen fine steer and occasional cow and calf to graze and grow in his meadow. Because the windows of my small apartment face the meadow, I am a constant observer of the herd’s movement, their presence or their absence. When the first hard frost arrives, they are gone to groceries and restaurants, and suddenly the meadow feels abandoned. Slowly, I’ve learned much about bovines: how they form attachments with the farmer, running and frolicking around him whenever he drives his rusty tractor out to inspect fences. I never knew cattle could move so fast. I’ve sketched their charcoal-black postures in the emerald grass of springtime and photographed them hip deep in a field thick with golden grasses in the fall.
This spring a community of swallows took up residence at my apartment complex, nesting on windows and gables facing the meadow and from which they emerged and returned with lightening-speed, providing me with more entertainment. After some time, I realized why they had come. As the cattle moved in the high grass, grasshoppers and gnats rose in swarms. The swifts careened in and around the thick calves and heavy hooves like fighter pilots after targets. When the insects’ life-cycles ran their course, the swifts disappeared into thin air.
Daily observation helped me discover the diversity of life in the meadow beyond the obvious farmer-bovine-grass relationship. Black silhouettes circled in the late afternoon sky portending prey moving in the grass sea: rodents, rabbits, snakes, perhaps frogs. I am sure there is an owl perched in the far border of trees whose throaty hooting I cannot hear over the constant roar of I-65. The life in the meadow also includes a neighbor’s acre of goats attended by sheepdogs that escort them in and out of a sagging, grey barn. Dream Acres Farm has its own barn from which the cattle emerge and return, but most days they sleep out under the stars.
When the farmer dies, will his heirs sell the farm and make millions? Probably—in the way of progress. When they do, I will disappear as the swifts to find another teacup of wild. And then, when no teacups remain, shall we all disappear like the swifts, into thin air?
I pray for the old farmer to live another day—my knight, my muse.
Louise Erdrich’s Future Home of the Living God is a masterpiece of contemporary American literature. After 16 novels, books of poetry, and memoir, and nominations for the Pulitzer, and winner of the National Book Award, this novel is a culmination of her storytelling, use of language, and imagination.
I’ve read and studied Erdrich’s works for at least 15 years, eagerly awaiting each new novel. Some have exceeded my expectations, others have not but are still excellent reads. But this one, THIS is an achievement — not just for her as a writer and artist — but for our times.
The writing is beautiful and flows with such ease, concise yet vivid description, that reading is seamless. The plot moves with tremendous pace and at times I was so full of suspense that I had to put my hand over the next sentence to keep myself from jumping ahead. As a woman with a daughter and sisters, and nieces, I was drawn to the main character, Cedar, who writes a diary for her unborn child — a record of a time when all that people assumed would never change was upended overnight.
If you are a woman of child-bearing age or a woman concerned about protection of women’s rights, if you are a a man who values women, a person of faith, or a citizen who wishes to understand this age, this time on earth, then you need to read this book. The earth is changing, we are changing.
In the dystopian tale, so prescient for today, she manages to still uplift the reader. She is a weaver of legend, personal destinies, and her own cultural perspective. Louise Erdrich manages to show us there is still hope, still good to be cherished and brought forward in all of us. Yet, Erdrich bravely portrays a potential future that threatens all we hold as good and right in human behavior, and the fate of the earth.
Research from Loris Vezzali, social psychologist, points to the power of storytelling, to fiction, in shaping attitudes. This NPR program features a recent study that Vezzali, et al, conducted to determine whether children who read Harry Potter novels change how they relate to stygmitized groups of people (disabled, immigrants, or “other”).
Here’s the link to the NPR story below:
Our Lady of Guadalupe inspires millions of believers, offering a mothering balm of love, peace, and forgiveness through her Blessed Son. Read the legend of the appearance of the Holy Mother on Tepeyac Hill near Mexico City. Her apparition was witnessed by Juan Diego who had gone to the hill at the request of his Bishop to gather roses for the church. The Bishop’s actions were inspired by a request for a sign from the Holy Mother after she asked the Bishop to build a church on the hill. When Juan Diego returned with the roses, an image of the Holy Mother was embedded in his tilga–a garment that has remained without any sign of wear or age for the last 485 years.
Miracles do happen but we never know how or sometimes why. The universe and the Earth herself are imbued with numinous qualities that we intuit but can never “prove”.
In my novel Threshold, Dolores Olivarez is a devout Catholic who recites the Rosary as she hikes the mountain to the top.
From a place of reverence, Dolores seeks to understand the meaning of her time and place, much as Juan Diego climbed to gather his roses.
Florida Humanities Council posted a wonderful story about Marjorie Rawlings learning to love Florida at Christmastime. It took some time for the writer to adjust to warm air and green plants at Christmas but once she did, she was in it lock, stock, and barrel. Great article.
Paralleling Rawlings, but humbly drawing no comparison in talent, I am spending Christmas in Tucson to promote my new novel, Threshold, in very warm BUT DRY weather. Here we might be sipping margarita’s with lots of lime.
Below are photos I took at Rawlings’ Cross Creek home, now a Florida State Park, and great place to visit on your way down to Key West.
My cultural heritage is one of linearity. Americans progress, move forward, dream of the future and its possibilities. Yet, this conceptualization of time is not shared by many cultures on earth.
Now, some westerners are reconsidering whether time is linear. Einstein demonstrated that space and time bend at certain velocities of light. Physicists document the structure of the universe as part of “parallel universes.” It might be possible one day to travel in a worm hole to other times, future or past.
In Threshold, Luna Lopez, a Tohono O’odham youth, is learning basket-making from an elder. She discovers the recurring pattern of a maze on her teacher’s baskets and queries what it means. Rather than tell her outright, Mrs. Romero tells an old Pima story. Luna is left to interpret it in her own life.
As the narrative unfolds, Luna recognizes circularity in things around her: seasons, natural history of trees and plants, and her own circulation system. She begins to intuit that the “man in the maze” is about her inner life.
Does time bend each September allowing us to return to it, to perhaps increase our understanding? If so, let us approach it with reverence.