Category: Women

Nature Writers for Earth Day

On By Susan FeathersIn Animal Literature and Stories, Ecology, Environment, Ethics, Nature, Women, Writing, Writing, Philanthropy, Nature, Wildlife Conservation1 Comment

My writing practice began with love for nature writers. Rachel Carson in particular seized my imagination with her ability to combine science and lyrical language. No one in my view achieved what she was able to do–immerse readers in nature. Most of us know Silent Spring as her “manifesto” on the interconnections among humans, wildlife, and the earth. But, how many of you have read Under the Sea Wind? In this small book, her first, Carson writes life stories of three particular individuals: a Black Skimmer, a Mackerel, and a Sandpiper during one season bringing each alive as characters in a novel. The Black Skimmer (Rynchops), Sanderling (Blackfoot), and a Mackerel (Scomber) live, breed, avoid predators, and follow the urgings of seasonal changes, migrating, nesting, and feeding–all within exciting adventure writing. Readers dive deep into unseen lives nevertheless connected to them by large forces in seas, winds, and landforms. Under the Sea Wind is an immersion experience much like a 3-D visual experience today. Note: Under the Sea Wind was published about the time the U.S. was drawn into WWII. It was not until a dozen years later that it seized the popular imagination. For a superb biography of Carson’s life, read Linda Lear’s Witness for Nature, and for an excellent glimpse into Rachel Carson’s writing life, read Paul Brooks’ The Writer at Work.

Watch American Experience for the latest film about Carson’s life. It chronicles her writing and features the commentary of her biographers.

http://www.pbs.org/video/american-experience-rachel-carson/

For a regional writer of nature, I can think of no one better than Jack Rudloe who writes about the Gulf near his home and Gulf Specimen Marine Laboratory and Education Center. Jack was inspired by Ed Rickett’s whose work and life were enshrined in the popular imagination by John Steinbeck. Jack Rudloe, the 19-year old would-be scientist and nature writer, corresponded with Steinbeck in the latter year of Steinbeck’s life. Read any of Jack’s books for a another immersion adventure in: The Living Dock, The Sea Brings Forth, and the Search for the Great Turtle Mother. Anne Rudloe, his wife and marine scientist, wrote books with Jack that are reminiscent of Carson in their deep love for and accurate science about the landscapes they love and defend. Anne Rudloe passed away in 2010, and Jack and his sons carry on as Titans for Nature–like Carson in Silent Spring.

Enjoy Jack’s video about his book, The Wilderness Coast.

If you have time to sit down to read the record of Ed Rickett’s and John Steinbeck’s travels in the Sea of Cortez–The Log of the Sea of Cortez–you will be treated to a glimpse into evolving ideas about ecology as an ethical basis for living. Then, treat yourself to the film Cannery Row with Nick Nolte, Debra Winger, and John Huston. John Steinbeck’s novel, Cannery Row, is based on Rickett’s marine supply business in Monterey, California when the coastline abound with sea life.

 

The Writing Vortex: Louisa May Alcott

On By Susan FeathersIn Childhood, Children's Literature, Women, Writing3 Comments
by Harriet Reisen

When Louisa May Alcott became seized with the idea for a new book, she describes the feeling as being drawn into a vortex. A prolific writer, most of the time by necessity, Alcott might turn out a novel in a month! Often her hand would become paralyzed and she’d have to switch to her other hand, a skill she taught herself in anticipation of her “overdrive” writing style.

Harriet Reisen’s 2009 biography of Alcott–Louisa May Alcott: The Woman Behind Little Women— is an engrossing read. Her extensive research (she read well over 100 of Alcott’s publications) and energetic writing style are only a part of why this book is so readable: she was also that little girl whose imagination was seized by Louisa May’s stories in Little Women, Little Men, and Jo’s Boys. Reisen visited the sites where Alcott lived, and met with editors and rare book experts who have followed the Alcott trail of hundreds of publications (books, essays, letters, short stories). There are still dozens of publications Alcott refers to in her journals and letters that have never been found. In fact, it was only recently that a rare book dealer found a letter squished between the pages of an Alcott book that eluded to one of Alcott’s aliases and discovery of another publication!

For writers it is worth noting how different the publishing industry was during Alcott’s writing life. Yet, for us writers, Alcott’s musings and writing practice still hold value today. She was relentless when she began a new story or novel. She wrote straight through without editing much (a Hemingway style) and she wrote from her own experience. She tried to stay away from contentious political topics (even though she was very much an activist for women, abolition, and all sorts of social injustices), instead keeping her narratives to common human emotions and situations that as time has proved are just as relevant today as when she was writing. Love, jealousy, conniving, friendship, loyalty–its all there in very well defined, unforgettable character. I suppose a writer could do no better than to study this one amazing author and human being as mentor for their own writing.

I highly recommend this biography to all writers but also to anyone who loves Alcott’s novels. The biographer, Harriet Reisen, wrote the script for an accompanying film which eventually PBS aired on American Masters with the publication of the book in 2009. Amazon Prime has it today as well as the film site.

REMINDER: For Mother’s Day, PBS is airing a new version of Little Women. May 13th is the Day. Make your crumb cake and brew the tea ladies and gentlemen.

Why Reading is Essential to Writing

On By Susan FeathersIn Culture, Fiction, Poetry, WomenLeave a comment
Half Price Books in Bowling Green, KY

Finding Annie Proulx’s Accordion Crimes (1996 Penguin Paperbacks) at Half-Price Books in Bowling Green reminded me again why reading great writers is an essential component of a writing practice.

Proulx’s research into the immigrant experience and  the historical setting  animates her use of language.

Hour after hour the noisy dragging mass shuffled up the gangplank onto the ship lugging bundles, portmanteaus, parcels and canvas telescope bags. ~The Accordion Maker, The land of alligators, Accordion Crimes by E. Annie Proulx, Scribner’s Paperback Fiction.

Proulx’s novel is a textbook on originality in structure, use of language, and approach to the subject. Her writing reminds me of Vachel Lindsey and Carl Sandburg whose poetry about industrial America contains similar energy and rhythmic force I experience when reading Proulx’s work:

The din of commerce sounded in a hellish roar made up of the clatter of  hooves and the hollow rumble of wheel rims on plank, the scream of whistles and huffing of engines, hissing steam boilers and hammering and rumbling, shouting foremen and the musical call and response of workgangs and the sellers of gumbo and paper cones of crawfish and sticky clotted pralines, the creaking of the timber wagons and the low cries of the ship provisioners’ cartmen urging their animals forward, all blended into a loud narcotic drone.” ~ The Accordion Maker, Sugarcane, Accordion Crimes by E. Annie Proulx, Scribner’s Paperback Fiction.

The Wonder of Fiction

On By Susan FeathersIn Childhood, Children's Literature, Community, Culture, Women, Writing, Youth Empowerment2 Comments

The year the youth novel Wonder was published, I lost my father and was still grieving the loss of my sister. At the time I worked full-time at the University of West Florida, and somehow I missed the wonderment of Wonder.

Here is the 2012 NY Times Book Review.

I am about through and savoring its completion. The narrative, characters, and the real life circumstances of each middle-schooler, especially August, are true to life. The story has the effect of healing my own wounds from that period of youth that is so very difficult. It is the time when we truly differentiate from our childhood identities, our birth family, and move into the harsh realities of life.

R.J. Palacio, the author, put this book “out there” and it has since been translated into many languages, and used in classrooms, and other educational venues. Palacio created one book with a narrative for our culture, and cultures worldwide  about being “different”.

Auggie Pullman’s disfiguring genetic disorder causes conflicting feelings. Palacio provides personal narratives of Auggie’s sister and his classmates to sensitively show us how we deal with difference depending on our family, experiences, and personalities. Reactions to Auggie when he enters middle school range from fear to revulsion. When we learn more about each character, readers explore similar feelings in themselves.

Palacio takes adult readers on a poignant journey to our preadolescent selves when we asked, Who am I? We present ourselves to the world with our face and expression. We experience Auggie and his peers grow and change as they deal with Auggie’s condition and his bright, true persona which they discover over time.

Auggie’s facial deformities are extreme. Yet, he is a pretty normal tween and a cool guy once you get to know him. His experiences are tenderly created by a talented writer who was raising middle schoolers at home. She had once encountered a small girl with a similar genetic disorder at an ice cream shop. That encounter led to the creation of Auggie Pullman and her first ever novel.

At a time in world history when fear of the other is strong, this book provides a way to understand how we react to difference but how our differences help us grow and make the world a more wonderful place.

Maybe it’s time for a National REREAD of Wonder.

Read about Treacher Collins Syndrome

See the movie after you read the book.

Future Home of the Living God: A Masterpiece

On By Susan FeathersIn Art and Culture, Books, Democracy, Ethics, Fiction, Spiritual, WomenLeave a comment

Louise Erdrich’s Future Home of the Living God is a masterpiece of contemporary  American literature. After 16 novels, books of poetry, and memoir, and nominations for the Pulitzer, and winner of the National Book Award, this novel is a culmination of her storytelling, use of language, and imagination.

I’ve read and studied Erdrich’s works for at least 15 years, eagerly awaiting each new novel. Some have exceeded my expectations, others have not but are still excellent reads. But this one, THIS is an achievement — not just for her as a writer and artist — but for our times.

The writing is beautiful and flows with such ease, concise yet vivid description, that reading is seamless. The plot moves with tremendous pace and at times I was so full of suspense that I had to put my hand over the next sentence to keep myself from jumping ahead. As a woman with a daughter and sisters, and nieces, I was drawn to the main character, Cedar, who writes a diary for her unborn child — a record of a time when all that people assumed would never change was upended overnight.

If you are a woman of child-bearing age or a woman concerned about protection of women’s rights, if you are a a man who values women, a person of faith, or a citizen who wishes to understand this age, this time on earth, then you need to read this book. The earth is changing, we are changing.

In the dystopian tale, so prescient for today, she manages to still uplift the reader. She is a weaver of legend, personal destinies, and her own cultural perspective. Louise Erdrich manages to show us there is still hope, still good to be cherished and brought forward in all of us. Yet, Erdrich bravely portrays a potential future that threatens all we hold as good and right in human behavior, and the fate of the earth.

Hildegard of Bingen, Pierre Teilhard de Chardin, Saint Kateri Tekakwitha, scripture from the Bible, and Ojibwe elders all find voice in this story.

Find it at Birchbark Books, Erdrich’s independent book store; Indie Bound, or other online book vendors. Read the New York Times book review.

Our Lady of Guadalupe – Patroness of the Americas

On By Susan FeathersIn Art and Culture, Community, Culture, Friendship, Nature, Spiritual, WomenLeave a comment
from http://www.sancta.org/intro.html
from http://www.sancta.org/intro.html

Our Lady of Guadalupe inspires millions of believers, offering a mothering balm of love, peace, and forgiveness through her Blessed Son. Read the legend of the appearance of the Holy Mother on Tepeyac Hill near Mexico City. Her apparition was witnessed by Juan Diego who had gone to the hill at the request of his Bishop to gather roses for the church. The Bishop’s actions were inspired by a request for a sign from the Holy Mother after she asked the Bishop to build a church on the hill. When Juan Diego returned with the roses, an image of the Holy Mother was embedded in his tilga–a garment that has remained without any sign of wear or age for the last 485 years.

Miracles do happen but we never know how or sometimes why. The universe and the Earth herself are imbued with numinous qualities that we intuit but can never “prove”.

guadelupe-tumamoc-hill
Guadalupe Shrine on Tumamoc Hill

In my novel Threshold, Dolores Olivarez is a devout Catholic who recites the Rosary as she hikes the mountain to the top.

At the summit, she looks out over the vast metropolis, and then down at the Birthplace of Tucson at the base of the mountain. cropped-cropped-mission-a-mt.jpg

From a place of reverence, Dolores seeks to understand the meaning of her time and place, much as Juan Diego climbed to gather his roses.

Marjorie Rawlings: Warm or White Christmas?

On By Susan FeathersIn Art and Culture, Art and Friendship, Women, WritingLeave a comment

Florida Humanities Council posted a wonderful story about Marjorie Rawlings learning to love Florida at Christmastime. It took some time for the writer to adjust to warm air and green plants at Christmas but once she did, she was in it lock, stock, and barrel. Great article.

Paralleling Rawlings, but humbly drawing no comparison in talent, I am spending Christmas in Tucson to promote my new novel, Threshold, in very warm BUT DRY weather. Here we might be sipping margarita’s with lots of lime.

Below are photos I took at Rawlings’ Cross Creek home, now a Florida State Park, and great place to visit on your way down to Key West.

The cherished indoor bathroom.
The cherished indoor bathroom.
All the original furniture.
All the original furniture.
Garden and Trip to Silver Springs 149
Ernest Hemingway slept here and maybe Scott Fitzgerald. A steady stream of writers stayed at the Rawlings’ B&B.
Marjorie wrote at this table, probably with an icy margarita!
Marjorie wrote at this table, probably with a whiskey near at hand.

 

Garden and Trip to Silver Springs 154

Creating a Character: It’s a Wild Ride

On By Susan FeathersIn Women, WritingLeave a comment

A friend recently asked me how I created the characters for Threshold, my first novel. As all new writers do, I took classes, read books about character development, and read great character writers. Yet, nothing prepared me for what happened as I began to write the story.

Carla takes over!
Carla takes over!

In Threshold, Dr. Carla Connor took over. She did not follow the path I had planned for her. She emerged as a person who changes considerably over the course of the story, finding new parts of herself not even in her own plan for her life. She impacted other characters so that I had to reshape them as well. Yet Carla was perfect for my intent.

Nobody tells you about this phenomena. Just Google “How to Develop Character” and see what comes up. There is nothing about the character coming alive and driving the narrative.

Louise Erdrich, whose characters pop from the page, explained this phenomenon recently with the release of her National Book Award novel, The Round House. Listen to this interview. If you do not want to listen to all of it, advance  to 4 minutes where she explains how a 13-yr old boy took over her story, how she lived his experience, and even how she misses him now that the book is “out there”

So go be kidnapped by characters; let them show you the way to the end. Just a warning: the process also comes with mile-high drafts, buckets of sweat and tears, emotional ups and downs, and slings and arrows.

Wonder who I will meet in my next book?

 

 

The Tucson Ghost of Times Past

On By Susan FeathersIn Climate Change, Nature, Poetry, Women, WritingLeave a comment

Readers know that I’ve been blogging about an uncanny web of contacts and events that keep me ever tied to Tucson. Last week I wrote about how I became friends with a fellow ex-Tucsonan through our mutual membership in the West Florida Literary Federation. We both settled in Pensacola never knowing each other while in Tucson.  Threshold book coverVictoria became an important part of the writers who helped me while I completed Threshold which will be released in November by Fireship Press in Tucson.

ANOTHER UNCANNY TUCSON CONNECTION

While assisting the West Florida Literary Federation to bring two major New York City poets to Pensacola, I learned that one of them – Barbara Henning – lived in Tucson (while I was there) and was on the faculty at the University of Arizona Poetry Center. This link to the Poetry Center features a series of upcoming readings by poets with the focus on climate change which is the subject of my novel. I plan to attend Joy Harjo’s reading and then stay on in Tucson to promote the release of Threshold which means I will miss Barbara Henning’s performances and workshops in Pensacola during the Foo Foo Festival — our local celebration of arts and culture.

What is it that draws people to Tucson? To Pensacola? Check back soon to read “A Tale of Two Cities” and my migratory route between them over a 20 year period.

 

The Tucson Connection

On By Susan FeathersIn Community, Culture, Memoir, Nature, Women, Writing1 Comment

My romance with Tucson seems predestined.  This long relationship began in my childhood with Dad’s assignment to Davis Monthan AFB.

Fifty years later, I moved back to Tucson to accept a position as Director of Education at the Arizona Sonora Desert Museum. Little did I know that a future friend and writing fellow was finding her way to Tucson from her home in the Republic of Columbia, in northwest South America. We never met while we lived in Tucson but we would later share our love of the desert in a more tropical habitat.

That is because both of us left Tucson and ended up in Pensacola, Florida. Vicki is a member of the Portfolio Writers’ Group, one of many writing groups in the West Florida Literary Federation. She is a poet and talented painter who not only continues to inspire my writing, but who, by virtue of membership, became an early editor of drafts of  the Threshold manuscript.

For me it was wonderful having a talented writer/friend who knew Tucson and is bilingual. She was able to spot problems and to provide correction to Spanish terms and translations. (Vicki is a Spanish instructor at the University of West Florida and provided instruction for students at the University of Arizona while in Tucson.)

It seems that wherever I go, Tucson follows along. I am so glad because it is a community that won my heart. I even bled for it (see previous blog). That initiation got buried in my unconscious. Good thing. I might never have returned!

My Tucson "Connection"
My Tucson “Connection”

See Victoria’s new book of poetry including her gorgeous painting.