Robin Wall Kimmerer is a member of the Citizen Potawatomi Nation and a botanist who explains her knowledge of an indigenous worldview about plants with that of the western worldview. In that process, Kimmerer embeds whole Earth teaching along with botanical science. Here in this beautiful essay, ” Corn tastes better on the honor system” published in Emergence Magazine, is one of the author’s best teaching contrasting indigenous ways of knowing with western perspectives about the Earth. At this ragged time in American history, return to sanity. Listen.
Robin Wall Kimmerer is a mother, scientist, decorated professor, and enrolled member of the Citizen Potawatomi Nation. She is the author of Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teaching of Plants and Gathering Moss: A Natural and Cultural History of Mosses. She lives in Syracuse, New York, where she is a SUNY Distinguished Teaching Professor of Environmental Biology, and the founder and director of the Center for Native Peoples and the Environment.
Dad loved to birdwatch. He was an armchair ornithologist observing from his cozy chair near a picture window in his condo in Florida.
He kept binoculars and a bird guide on a stack of crossword dictionaries near his post as well as tobacco for his pipe.
Regular as a clock, I could keep time by the sound of that first pipe being lit, the front door opened if warm, and bright warbles and shrills from a cardinal pair on his feeders, or the chitter chatter of chickadees.
Because Dad kept the feeders and his vigil for more than two decades in the same location, his observation post would have been very useful had he taken the time to record his observations. But alas, he did not.
Scientists and conservationists missed an important record of changes over time from a citizen scientist. Well, Dad simply watched for the esthetics not the science. But my generation and those coming behind me are critical participants in helping ornithologists track bird movements all over the world – for the first time.
Today is the Big Day 2018 See video below. Then go to the link and establish an account. Download the mobile app on Google Play or Apple Store. Start recording!
Read from John J. Audubon’s Birds of America printed in 1834 and presented online: you can explore and read by species and you can download a high quality print image of many of Audubon’s matchless paintings.
My writing practice began with love for nature writers. Rachel Carson in particular seized my imagination with her ability to combine science and lyrical language. No one in my view achieved what she was able to do–immerse readers in nature. Most of us know Silent Spring as her “manifesto” on the interconnections among humans, wildlife, and the earth. But, how many of you have read Under the Sea Wind? In this small book, her first, Carson writes life stories of three particular individuals: a Black Skimmer, a Mackerel, and a Sandpiper during one season bringing each alive as characters in a novel. The Black Skimmer (Rynchops), Sanderling (Blackfoot), and a Mackerel (Scomber) live, breed, avoid predators, and follow the urgings of seasonal changes, migrating, nesting, and feeding–all within exciting adventure writing. Readers dive deep into unseen lives nevertheless connected to them by large forces in seas, winds, and landforms. Under the Sea Wind is an immersion experience much like a 3-D visual experience today. Note: Under the Sea Wind was published about the time the U.S. was drawn into WWII. It was not until a dozen years later that it seized the popular imagination. For a superb biography of Carson’s life, read Linda Lear’s Witness for Nature, and for an excellent glimpse into Rachel Carson’s writing life, read Paul Brooks’ The Writer at Work.
Watch American Experience for the latest film about Carson’s life. It chronicles her writing and features the commentary of her biographers.
For a regional writer of nature, I can think of no one better than Jack Rudloe who writes about the Gulf near his home and Gulf Specimen Marine Laboratory and Education Center. Jack was inspired by Ed Rickett’s whose work and life were enshrined in the popular imagination by John Steinbeck. Jack Rudloe, the 19-year old would-be scientist and nature writer, corresponded with Steinbeck in the latter year of Steinbeck’s life. Read any of Jack’s books for a another immersion adventure in: The Living Dock, The Sea Brings Forth, and the Search for the Great Turtle Mother. Anne Rudloe, his wife and marine scientist, wrote books with Jack that are reminiscent of Carson in their deep love for and accurate science about the landscapes they love and defend. Anne Rudloe passed away in 2010, and Jack and his sons carry on as Titans for Nature–like Carson in Silent Spring.
Enjoy Jack’s video about his book, The Wilderness Coast.
If you have time to sit down to read the record of Ed Rickett’s and John Steinbeck’s travels in the Sea of Cortez–The Log of the Sea of Cortez–you will be treated to a glimpse into evolving ideas about ecology as an ethical basis for living. Then, treat yourself to the film Cannery Row with Nick Nolte, Debra Winger, and John Huston. John Steinbeck’s novel, Cannery Row, is based on Rickett’s marine supply business in Monterey, California when the coastline abound with sea life.
A friend of mine, Mark Hainds, is a forester and author, who has challenged himself to walk the entirety of the U.S. – Mexico Border. In doing so, he is noting the conditions of the landscape, meeting the people who live there, the people who are passing over the border in hopes of a better future, and experiencing the deep peace from long hours of silent walking. Be sure to visit his site above.
On Friday morning I dropped him off at mile marker 40 on highway 82 near Sonoita, Arizona. This is grasslands – basin and range territory – home of historic ranches, antelopes, and hardy people who love the land.
To a visitor is can seem very still but to locals who know its subtle changes, it is an exciting place to call home.
Luckily, the Nature Conservancy and the Bureau of Land Management had foresight to preserve large tracks of riparian habitats (those areas where water flows near the surface of the ground, and in wet seasons, runs in streams and rivers). When you gaze out across expansive grasslands and see a line of bright green trees, you have found water.
Today I followed the traces of water across the landscape by looking for those trees. While I walked the fields and paths, small herds of tawny pronghorns on far hills bounded in the high grass, white rumps flashing in the sunlight.
At the historic Empire Ranch, I listened for the voices of families, ranch hands, and cowboys lingering in the old structures of the house, cottages, corral, and barn.
Wandering the paths into a cottonwood gallery, I felt spirits walking next to me. A time gone but with lingering energies, whispering to us modern day visitors.
What are they telling us?
Would it be a cautionary tale? The ranch was passed through many hands, each family working it for 35-50 years, then to developers, and finally into the protection of the U.S. Department of the Interior.
Yet these images show a time gone by, when the big cattle ranches reigned, and then died as water receded, and the demand of beef declined.
Perhaps we live in a more enlightened time. But, that remains to be seen. Will we remember the lessons of the past, or are we doomed to repeat mistakes with forgotten memories?
The ghosts of the land whisper to us. What are they telling us?
One whose spirit speaks to me is Aldo Leopold: “Conservation is getting nowhere because it is incompatible with our Abrahamic concept of land. We abuse land because we regard it as a commodity belonging to us. When we see land as a community to which we belong, we may begin to use it with love and respect.”
The Olympic Games in Brazil may be remembered most for the list of woes it has accumulated as Rio 2016 approaches the August games. Now the death of a jaguar has cast a longer shadow over the event.
Images of a jaguar in a heavy metal collar and chains as the Olympic flame was passed from one runner to the next were quickly followed by news of the animal’s death. Juma, a 17-year old jaguar born into captivity at a zoo on a military base, was apparently brought out to provide a dramatic image at the Olympic ceremony. When he escaped and approached a soldier, he was shot and killed. As the public learned of Juma’s death. it caused worldwide outrage.
In my novel, Threshold, Duma is a jaguar born in the Sky Islands–mountain ranges that span the U.S. – Mexico border. He wanders into an area near Nogales, Arizona where surrounding cattle and sheep ranches lure him closer to human settlements. Duma is sighted and captured. Readers follow him from one facility to another while his fate is determined.
Research with dolphins, grey parrots, chimpanzees, and elephants, among others, show these fellow earthlings share similar life’s experiences as humans do. The movie Blackfish which revealed the stresses on killer whales in captivity, and the recent killing of Harambe, a gorilla at the Cincinnati Zoo, are just two recent examples that have furthered discussions about our responsibilities to the animals we love to see at zoos and enjoy knowing may still inhabit natural areas.
The Arizona-Sonora Desert Museum, an AZA accredited institution, is one of several settings in Threshold. As the story unfolds, readers learn that climate change is causing stress on animals and keepers alike.The Desert Museum is a leader in care and exhibition of animals for public education. Explore ASDM’s website and publications to learn more.
TELL US WHAT YOU THINK ABOUT THE ROLE OF ZOOS AND AQUARIUMS. POST YOUR COMMENTS ON THIS POST.
Update: Here is the latest in a discussion at the Center for Humans and Nature:
All across southern California and the Colorado River Lower Basin in Arizona as far south as northern Mexico, an excessive heat warning has been declared by the National Weather Service for the next 4-5 days.
Phoenix is expected to reach temps as high as 120 degrees — well above the norm for this time of year.
In my soon-to-be-released novel, Threshold, heat and evaporating water supply are two threatening conditions that impinge on characters. While the book is set in the “very near future”, the plot is contemporary and presupposes what might happen in a metropolitan city like Tucson, Arizona.
The impacts of climate change will be felt differently across a city or region depending on a person’s personal resources, both financial and social. I wrote the story in Threshold to explore what might happen, and allowed characters to tell me what they would do.
Enrique dabbed his grandmother’s face with cold water, but her breathing grew shallow. He ran to fill the tub with water. But when he turned on the faucet, no water came out. In a panic now, he returned to his grandmother. . . It took him a few seconds to comprehend what had happened.
WILL A “NEW NORMAL” SPUR INNOVATION?
The Citizen’s Guide for Resilience to Climate Extremesis a planning guide for neighborhoods to increase their resiliency and to institute climate solutions such as planting trees for shade and making walk-able, bike-able neighborhoods. It is a community-based model any city will find useful to mobilize citizen’s for climate change.
Check back to read Guest Bloggers from Tucson and the Southwestern region.
In terms of years spent writing as a principle activity, I am a relatively new writer. In 2003 I decided to leave working full time to begin a life as an independent businesswoman. This gave me time to write with more purpose. Up until then, I had written memoir and nonfiction pieces, attended a few writing workshops, but had not truly found my purpose nor honed a writing life.
When I made the Big Transition from working for an institution to working for myself, I had been serving the Desert Museum in Tucson as the Director of Education. This was a great privilege for me–one that brought me close to many experts and passionate defenders of the biodiversity and cultural diversity of desert communities.
At the same time, scientists were reporting increasingly disturbing forecasts about climate changes on global scale. The Tucson and Phoenix metro areas were also reexamining their water management plans. Working for myself gave me more uninterrupted time to read and to plan a book.
Threshold was first drafted at the Frank Waters Foundation in 2006 after I was offered an 8-week writer’s residency. The little adobe artist’s cabin on the Frank Water’s property sits at the base of the Sangre de Cristo mountains. Frank Waters’ spirit pervades the property. He is considered the grandfather of the Southwestern novel, writing and publishing fiction and nonfiction works from the late 30s to the 80s. All his books are still in print, a fact that proves the relevance of his thoughts and writing. As I wrote my story, I felt Frank’s spirit about.
Armed with an outline for a plot that spanned three novels stretching to 2100, I drafted a speculative fiction novel with an enormous cast of characters. I left the mountains with a 400-page manuscript.
This was an impossible task for a new writer of fiction. But, sometimes ignorance allows a creative mind to accomplish more than expected.
My Sunday “church: is OnBeing.org, moderated by Krista Tippet. The program examines the questions, What does it mean to be human, and how do we want to live, by interviewing the greatest thinkers, religious leaders, and artists of our time.
The Internet connects us like neurons in the brain. It is in its infancy and we are its parents; how it “grows up” – its character – is up to us. (Paraphrased by me from the discussion. )
This interview and the film below left me more hopeful that humankind can beat the odds, and make the climate curve together if we shape the Internet intentionally creating a global brain that acts as a force for good.
*Purchase or rent the film here: Connected: An Autoblogography about Love, Death, and Technology Online. Film home.
Pensacola is blessed with many strong writers and poets. The West Florida Literary Federation leads the region in advancing the creative spirit. That includes supporting a Poet Laureate. Jamey Jones is the current Poet Laureate in Residence. He and the Federation brought my attention to Anne Waldman.
That I had never heard of Anne is both a testament to my ignorance and to the important role of the Federation in enriching individual artists’ and the public’s experiences in the arts.
Check out Anne’s moving Manatee Humanity. Her reading introduced me to the potential of poetry to advance understanding and compassion for a fellow mammal.
Anne talks about an encounter with a manatee in an aquarium in Florida. In other interviews on her website, Waldman describes Ecopoetics, a term I had never read. While you are on Waldman’s website, click around to listen to other performances. You are in for a treat and a powerful force for good. There is nothing ambivalent about Anne.
This film about Aldo Leopold’s life and the development of his thinking about our relationship with land is a true gem. I could not find when it was created, however, the people interviewed are his biographers and scientists who knew and worked with Leopold. It was shown on Wisconsin Public TV. A special treat is narration by Lorne Greene best remembered as “Pa” on Bonanza.
The film gives viewers an in depth history about Aldo Leopold’s life and how his ideas about The Land Ethic evolved over his lifetime.
WATCH EARLY THIS YEAR TO SET YOUR COMPASS TOWARD TRUE NORTH.