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Threshold makes an enormous contribution to contemporary literature by teaching readers—in engaging and utterly consumable terms—about the physics of “the planet’s human induced fever.” Susan Feathers stages the need to know as part of the narrative dynamic. Key characters —academics, school teachers, museum biologists—understand only too well the processes by which the earth is growing hotter, while others don’t. The latter are in some cases too young or inexperienced to know; in other cases they’re complacent or too far in denial to face them. Those who know teach those who don’t. Through lively dialogues concerning, for example, how sunlight gets converted to electricity; or how oceans absorb solar energy; or how neighborhoods can set up electrical generating systems, we learn along with the characters. We’re invited to go through the same processes of recognition and assimilation that the various students in the story experience. READ A REVIEW ~ Mary Lawlor, Muhlenberg College
In terms of years spent writing as a principle activity, I am a relatively new writer. In 2003 I decided to leave working full time to begin a life as an independent businesswoman. This gave me time to write with more purpose. Up until then, I had written memoir and nonfiction pieces, attended a few writing workshops, but had not truly found my purpose nor honed a writing life.
When I made the Big Transition from working for an institution to working for myself, I had been serving the Desert Museum in Tucson as the Director of Education. This was a great privilege for me–one that brought me close to many experts and passionate defenders of the biodiversity and cultural diversity of desert communities.
At the same time, scientists were reporting increasingly disturbing forecasts about climate changes on global scale. The Tucson and Phoenix metro areas were also reexamining their water management plans. Working for myself gave me more uninterrupted time to read and to plan a book.
Threshold was first drafted at the Frank Waters Foundation in 2006 after I was offered an 8-week writer’s residency. The little adobe artist’s cabin on the Frank Water’s property sits at the base of the Sangre de Cristo mountains. Frank Waters’ spirit pervades the property. He is considered the grandfather of the Southwestern novel, writing and publishing fiction and nonfiction works from the late 30s to the 80s. All his books are still in print, a fact that proves the relevance of his thoughts and writing. As I wrote my story, I felt Frank’s spirit about.
Armed with an outline for a plot that spanned three novels stretching to 2100, I drafted a speculative fiction novel with an enormous cast of characters. I left the mountains with a 400-page manuscript.
This was an impossible task for a new writer of fiction. But, sometimes ignorance allows a creative mind to accomplish more than expected.