Steinbeck and Erdrich

For man, unlike any other thing organic or inorganic in the universe, grows beyond his work, walks up the stairs of his concepts, emerges ahead of his accomplishments. ~ The Grapes of Wrath by John Steinbeck. Goodreads.

John Steinbeck’s conviction that latent capacities lie in wait of the challenges we may face is the power of his stories. Steinbeck was a man with his boots set firmly in his homeland: the San Joaquin Valley. He wrote about migrant labor, loss of natural landscapes to industrial scale farming, and poverty created by the concentration of wealth by a few. He sought to understand ecology when he sailed with his biologist friend, Ed Ricketts, to study the Sea of Cortez (Gulf of California). In The Log of the Sea of Cortez, he and Ricketts articulate how life works in linked communities which predated more contemporary scientific understanding of ecology by decades. I highly recommend this book to Steinbeck readers to understand his curiosity and breadth of knowledge.

In recalling The Log’s philosophy, I am struck with how Louise Erdrich not only comprehends the interrelatedness of all life, but she also found her understanding in the places she grew up: the Red River Valley where the Red River flows north toward Winnipeg from Fargo, North Dakota. Today it is a highly engineered river to meet human and industry needs, but once it ran free, annually flooding its banks in the spring runoff to nourish the valley’s soil into rich black loam yards deep. The story that Louise tells in her recent acclaimed novel, The Mighty Red, is centered in this valley among families beginning in 2008 when an economic collapse stressed working families many of whom lost property and/or became homeless overnight.. Some work in the industrial beet operations, others are rich landowners who have bought out small family farms. Another family is working to improve their land in the old way, come what way may. They preserve native “weeds” and regenerate soil.

Something Louise Erdrich has mastered is THE WEAVE – my concept for threading people’s stories in the geography of place. Louise’s mother is an Ojibwe elder in the Turtle Mountain Band of the Chippewa Tribe. Her grandfather, Patrick Gourneau, saved their reservation from the U.S. government’s veiled attempt to take land designated to their tribe by treaties to allow wholesale taking of forests and minerals (Termination under the guise of Emancipation). She told this story in her novel The Night Watchman which won the Pulitzer Prize in 2020. Storytelling is in her blood as this was a primary method of recording history and imparting values, and cultural and spiritual practices among her people.

Louise Erdrich inhabits a pantheon of great writers who possess piercing insight into contemporary American culture and politics. For Louise, her ready access to indigenous ways of knowing lends the power of truth unadorned but artful. It’s a combination that has drawn a worldwide readership.

Like Steinbeck, she builds stories from decades of lived experience in a particular geography – what Gary Nabhan termed the geography of childhood.

Erdrich is imbued with a wicked humor, gift of elders in her tribe voiced through her unforgettable characters with names like Happy Freshette and Father Flirty. But don’t be fooled that her writing is entertaining in the normal way we might think of a western cowboy genre. Erdrich’s gift is alchemy. The impact is more than its elements. At the end of every book I am better than I began. She has gently led me to reconsider the human condition through her characters, to see it in fine definition, beautiful and tragic, heroic and funny.

I’ve laughed and cried my way through the lives of her characters and come to love the places where their destinies unfold. In The Mighty Red, Crystal and Kismet, Hugo and Gary, are caught up in a teenage love triangle and a mother’s quest to protect her daughter. The geography of place includes the beet farms producing sugar (a poison) while “weeds” are eradicated by an unrelenting war on native plants some of which are highly nutritious, she shows readers the profound irony of modern culture’s misunderstanding of the land under its feet. She brilliantly shows readers the interconnectedness of life, artfully described as the “joinery of nature.”

As she approaches 70, Erdrich is more powerful a writer than a decade ago. Winner of the Pulitzer, the National Book Award (twice) and hundreds of other awards and nominations, she has left America and the world a treasure of stories that speak the truth while encouraging us all about our frailty in the face of uncontrollable forces. Yet, even then, like her grandfather, we ‘grow beyond our work, walk up the stairs of our concepts, and come out ahead of our accomplishments.’

I await her nomination for the Nobel Prize for Literature.

Indigenous American Authors: Great New Books in Fiction and Nonfiction

You haven’ lived without reading a new writer of fiction, Angeline Boulley.

You haven’t lived without reading a new writer of fiction, Angeline Boulley. The Firekeeper’s Daughter, her first novel (2021), was listed on the New York Times Best Seller List and has been nominated for numerous awards, and is being produced on Netflix as an episodic story. I was drawn to read it by my local book club but also because Louise Erdrich, Pulitzer and National Book Award-winning Native American novelist, raved about it. See Birchbark Books, Louise’s independent book store in Minneapolis.

In a recent interview by Louise with Angeline, Boulley describes why she wrote the book and its sequel (Warrior Girl Unearthed). Both novels are Young Adult but all adults are reading it as well because the values and knowledge Boulley emparts to readers is chicken soup for the soul, or “how things should be” among us human beings. Her Objibwe culture is generously described throughout the book in an engaging way through the main character, Daunis Fontaine. Boulley was Director of Indigenous Education at the U.S. Department of Education. Her father is a firekeeper in his tribe (a keeper of tradition and culture) and Angeline has been in leadership roles in her tribal nation. Imparting understanding of her Ojibwe traditions is purposeful.

During this interview, I learned about Marcie Rendon, another Ojibwe writer. Murder on the Red River is the first book in a mystery triology with the lead character, Cash Blackbear, a 19-year old kickass woman. Like Boulley, Rendon incorporates current and past issues for Native Women and Native Peoples in America. The issue addressed in this book through Cash is the foster home abduction era when young native children were removed from their homes by BIA officials to be “rescued” from what was considered “bad homes”. Cash has endured seven foster homes before ending up in Fargo, North Dakota. The local sheriff received Cash each time she was kicked out of a foster home for her behavior and continues to observe and intervene with compassion. Their partnership to solve a murder is endearing, gritty and funny. The book is a three part series – Sinister Graves is heading toward my mailbox with Girl Gone Missing next in line. Rendon has that clean-sentence-no-nonsense way of telling a story that allows the reader’s imagination to spark and fire. I read the book over a day. HIghly recommended for you mystery readers!

In Non-Fiction, I recommend Ned Blackhawk’s new The Rediscovery of America: Native Peoples and the Unmaking of U.S. History. It is very well written and riveting as Dr. Blackhawk lays out the book and then shows how Native American tribal communities influenced and shaped outcomes before, during and after the Revolutionary War and Civil War. Ned is a historian whose prose is easy to read but well sourced. It won this year’s National Book Award for Nonfiction. It is a book that can be read over time and should be on every history readers’ bookcase for reference on American history that is inclusive of the great traditions and historical importance of Indigenous peoples.

See below an interview with Dr. Blackhawk at the National Constitution Center.

https://youtu.be/iaFL2xulyeM

Capitol Polemic

Staircase Detail Up to DomeHistory and JusticeFreedomCapitol Bldg RotundaHouse Chambers Hall to House of RepsCapital Bldg Daytime19th Century Handpainted Ceiling_House at CapitalDuring a trip to Washington D.C. Congressman John Mica offered to take our group on a special evening tour of the Capitol Building. He is a real history buff and with 21 years serving in the House of Representatives he has a few good stories…

These photos taken with my smartphone speak for themselves. The quality of workmanship and art in the architecture, paintings and sculpture makes my proud of my government. Washington D. C. has long been my personal inspiration.

The workshop I attended was a special session of Florida State Public Universities. We met with representatives from Department of Defense and major uniform services, and then with staffers from Democratic and Republican representatives with the Florida delegation.

Given the acrimony and loss of the traditions of discussion and respect for disparate viewpoints, many Junior Conservative representatives have never experienced what staffers described as the Regular Order of legislation. They all expressed dismay with ongoing sequestration, little hope of a bipartisan spending bill, and the general loss of appreciation for the 200-year-old process of compromise to pass bills that work for the America Public.

Capitol Nightime

Go Set A Watchman: Firecracker that Fizzed?

Just completed listening to Reese Witherspoon read Harper Lee’s book, Go Set A Watchman--a superb rendering of grown-up and 6-yr-old Scout.

Several years ago I read a wonderful biography of Harper Lee, Mockingbird: A Portrait of Harper Lee by Charles J. Shields. In the biography I learned that the first draft of To Kill A Mockingbird was one in which the publisher (Lippincott) recognized a unique literary voice. The subsequent work with editors resulted in rewriting the story to include more about Scout’s 6-year old self and her beloved Atticus.

Yet, Go Set A Watchman is an entirely different story. The setting and the flashbacks of grown-up Scout to her childhood are familiar and the wonderful writing we treasure. But the latter chapters of the book are an ABSOLUTE SHOCKER.

Atticus Finch of To Kill A Mockingbird, is our national model of how we want to be, or how we want an educated Southerner to reason and act. In the pages of Go Tell A Watchman we confront the raw truth: the South bred, and in some places, still breeds, its own brand of racial denigration and violence. In Go Set a Watchman, Atticus sounds like a fine member of the Klan: What would happen if all those black folks got into politics? 

Uncle Jack tries to explain it all away through his twisted logic about why southerners still feel slighted by the nation and still distrust Liberals, Yankees, and Blacks. Then he pulls another illogical stunt: Scout should not leave town and shake the dust off her feet, but stay — because when people close to her are wrong, that is reason to stay — purportedly to change their minds. Huh? That just feels like Harper Lee did not quite know how to end the book. Well, it was her first.

But the whole experience left me wondering: just how much was the original edited? Also, think about this: did the editors believe that the nation, especially the South, wasn’t ready to view racism so unabashedly on stage? Did editors radically reshape the novel that we all came to love and cherish? Or, did they simply make it a better book?

Have you read it? What do you think?